zusi Circuit: Peter’s Picks Vol. 3

body of water during golden hour

Time for another round of Peter’s Picks! This collection of songs is definitely an eclectic one. Should give you an idea of why shuffling Peter’s Spotify library is a risky proposition. 

Leon Vynehall – Envelopes (Chapter VI)

On his 2018 album Nothing is Still, Leon Vynehall used the story of his grandparent’s emigration from England to New York City to frame a set of beautifully emotional ambient electronic songs. I highly recommend the album if you like this kind of music. “Envelopes (Chapter VI)” is my favorite track, and its music video is appropriately cinematic.

Jacques – Tout Est Magnifique 

Jacques has one of the more questionable hair styles I’ve ever seen but I’m willing to give him a pass after hearing this fascinating piece of ear candy.

The Blaze – Territory 

Another beautifully shot, very cinematic music video. 

Myd – Bingo 

Based on the cover of this EP, I’d guess that Myd has a good sense of humor. He makes some pretty awesome music to boot. 

Alex Gopher – On & On 

It’s a shame Alex Gopher hasn’t released more music considering how catchy songs like “On & On” are. “Back to Basics” is another great track on this EP.

Marvin Gaye – Sunny (Mercury Edit II) 

This is one of those songs that never fails to put me in a better mood. 

Al Green – Back Up Train

Al Green was just over 20 years old when he released this song / debut album in 1967. I’m 36 and can confidently say I’ll never have this much soul. 

Fela Kuti – Let’s Start 

Nigerian Afrobeat legend Fela Kuti’s music has had a much deserved resurgence over the past several years. This is easily my favorite song of his.

SOS (Sociedad Organizada en Sonido) – Buscaya Da Yada 

Can’t say that 1970s Mexican funk is a genre I know a lot about, but this song rocks.

Thunder Tillman – Exact Location of the Soul 

Thunder Tillman is a Swedish psychedelic jamrock / electronic music duo that look like time travellers from a hippie sex cult. Their aesthetic seems pretty genuine – one of their most recent releases was the 2022 LP Aural Healing Program for Peace and Longevity, which was accompanied by a hilariously weird “visual healing session”. 

Mata Hari – Easy 

1970s Australian rock set to a pretty cool animated video. 

Twin Peaks – Walk to the One You Love 

Twin Peaks are an awesome garage rock band of out of Chicago. “Walk to the One You Love” not surprisingly makes for great walking music.

Dr. Dog – Heart it Races 

I’ve loved Dr. Dog, and especially this 2007 cover of an Architecture In Helsinki song, since I was a teenager. They consistently make good music that’s easy to listen to.

Widowspeak – The Drive 

This video reminds me of long drives through the Nevada desert. There’s nothing like a good playlist to go along with an “open road, filling endless spaces”.

zusi Views: Citymemo in Motion

In terms of where Citymemo is in their creative process, well, they’re right in the thick of it. Four out of eight singles completed for their upcoming album, multiple tour dates including live shows and festivals, and all the scrappiness this roughly one year old not-so-pop-rock band can muster…listen closely for a tale as old as indie music itself. 

城市被忘錄正如火如荼的準備他們的LP,已經完成的四個Single之後還要再發布四個,同時不斷地在live show和festival演出。這個一歲左右的“不很流行的流行龐克樂隊”很賣力,仔細聆聽這個樂隊的來龍去脈吧。

It all began on Facebook, responses to a simple call to form a band issued by drummer Roger, who was moving genres to rock from R&B. This attracted the attention of lead singer Katree, who with guitarists Samuel and Tangtang attended Zhongyuan University’s music program and who had an overlay of previous music experience harkening back to middle school cover bands and writing music from high school onwards.  

故事從鼓手Roger在臉書上發出想組樂隊的號召;他當時正從從R&B遷移到搖滾。這個號召由主唱Katree接單 – Katree 曾與吉他手們Samuel和Tangtang念過中原大學的音樂系,Katree更早在國中和高中年代有組樂隊跟寫歌的經驗。

The band is too pop to be punk, too emo to be pop, and not emo enough to be emo – in other words, it straddles the line between different genres while still catering to the crowd. Citymemo has performed to friends, other acts’ friends and bar regulars at Riverside in Gongguan and Revolver near CKS Memorial, both in Taipei. They’ve also graced the stage at the Taiwan Music Festival in Kenting, playing with PAPUN BAND and KST, and have performed overseas at Vancouver’s Jade Music Festival as well. 

這個樂隊說它龐克又太pop,說它pop又太emo,但是emo的話也未必夠emo – 反正扮演了很多不同的角色,不同的genre,為了讓聽眾更喜歡。城市被忘錄已在台北的Riverside和Revolver演出過,還有在墾丁的Taiwan Music Festival, (PAPUN BAND和KST也有表演的那個),另外也在溫哥華的Jade Music Festival表演過。

Touring and performances in of themselves become high risk investments: “We need to cover our own transportation, lodging and practice space fees besides often having to make a ticket sales threshold in order to make money,” Katree says, “and we hardly get a thousand [NTD] per person when we go to festivals.” 

巡演和表演本身就是高風險的投資:“我們必須cover自己的車馬,住宿和彩排的費用除外,常常還要meet一個賣live show門票的門檻,” Katree說,“而且我們去音樂祭都是一個人分一千的。”

For the singles, bassist Steven and the guitarists can record their parts at home, but specialized recording space is still needed for the drums before the band gets a break with a friend doing the mixing. Indie music is hard anywhere, but livehouses in Taipei have been going out of business “left and right” as well, due to increases in rent and the impact of COVID-19. 

對於單曲,貝斯手Steven和吉他手們可以在家裡錄製他們的部分,但在樂隊的朋友進行混音之前,鼓仍然需要專門的錄音空間。獨立音樂在任何地方都很難,但由於租金上漲和COVID-19的影響,臺北的livehouse也“左右”倒閉。

The band counts My Chemical Romance, Paramore, Blink-182 and Avril Lavigne as its main influences, with a couple stories already from their live performances. First dates gone to see Citymemo perform have resulted in multiple relationships, attributable perhaps to the band’s triste but romantic lyrics. “We’re not mainstream, but not super indie either,” says Katree, “we want to encourage everyone to believe in themselves and not be afraid.”

樂隊的主要影響者是My Chemical Romance,Paramore,Blink-182和Avril Lavigne。他們的現場表演已經有幾個故事:比如說第一次約會去看Citymemo的人常常會變成伴侶,這也許歸因於樂隊的陳詞濫調但浪漫的歌詞。“我們不是主流,但也不是超級獨立,”Katree說,“我們希望鼓勵每個人相信自己,不要害怕。

If one side of the Citymemo coin is what the band likes to sing about when they’re feeling down, the other side is warmer, sweeter, not as depressing and built for their target audience of 20-30 year olds. The band’s single “Leave, But I Will Stay” shines a light of hope in an otherwise moment of despair. When Katree performed the band’s songs at a summer camp for children, she felt validated when the kids asked how she knew about how they felt inside – going to show the universal messages inside Citymemo’s music.

如果說Citymemo硬幣的一面是樂隊成員在情緒低落時喜歡唱的歌,那麼另一面則更溫暖,更甜蜜,沒有那麼令人沮喪,並且是為20-30歲的目標聽眾而打造的。樂隊的單曲“走吧,但我會留下”在絕望的時刻閃耀著希望之光。Katree在兒童夏令營表演樂隊的歌曲時,孩子們問她如何知道他們內心的感受時,她感到得到了認可 – 將展示Citymemo音樂中的意義。

So what’s next for the band that wants its music to be a companion to your loneliness? More touring and shows, with Citymemo eyeing international gigs after early success in Vancouver. “Follow our instagram!” Tangtang says. Roger closed out our interview with this to say: “Don’t pay attention to what other people tell you to do, do what you want to do, choose [the advice] you want to listen to.”

那麼,對於希望音樂成為你孤獨時的伴侶的樂隊來說,下一步是什麼?更多的巡演和表演,Citymemo在溫哥華取得早期成功后,著眼於國際演出。“關注我們的Instagram!”Tangtang說。Roger在結束我們的採訪時說:「不要管別人告訴你做什麼,做你想做的事情,選擇你想聽的[建議]。

zusi Additions: J-Plus Travelog – Part II covering Kyoto and Kobe

J-Plus continues with Kobe and Kyoto, but because there’s a story to go with my trip to Kobe, let’s go to Kyoto first.

This isn’t the first time I’ve been to Japan, Osaka, Tokyo or Kyoto – I visited when I was in elementary school on an exchange trip between elderly Americans and Japanese families. 

You might wonder how I, not an elderly American, became part of the trip. Well, my grandparents went, and brought me with them to Yamaguchi Prefecture, among other sights. I remember well waking up to a hotel breakfast in Tokyo and seeing the news ticker lined with Kanji, or Chinese characters – easy reading for having grown up learning Mandarin in Taiwan; it felt familiar. 

Kyoto was about the same as I remembered it, just with a lot more Chinese tourists this time. I will let the photos do the talking. 

At one point I found myself at the foot of a hill, and started walking up through the mosquito-laden area to a view of the city.

Kobe began with style in the harbor, fancy restaurants and bars, scoring a picture of me when I was 25 years old. 

Also impressive were the Japanese wrestling posters and other ads. But the return journey featured a highly inebriated man, who almost lost his phone were it not for the timely intervention of a good samaritan – myself.

He writhed and wrangled his way across the train car to the disgust of many, but I knew the feeling. 

Next time, the castles, gardens and paths of Kanazawa…And now, your J-Plus tape, which apparently was released along with a magazine covering Japanese music of the same Sounds of Japan name:

https://c.mail.com/@649543521753114149/QNrRdZf_QNyvDkQyzCXTFg

The Tape History is here:

https://c.mail.com/@649543521753114149/A7iTxK5eS5ec797K4gH5rQ

What’s the deal with the J-Pop Tapes?

zusi Circuit: Peter’s Picks Volume I

body of water beside beach sand

A hybrid of aerial circus and circuit training gets you the zusi Circuit, special programming on rotation shared by special people. For our inaugural Circuit we have Peter S., last seen in the the Dream Journal, provide Peter’s Picks, 14 songs he’s been listening to recently and from COVID times.

When my friend Phil asked me to write a guest entry in his blog to share some music, I was honored and excited. When he asked me to keep it to ten songs (five I’ve been listening to lately and five from the Covid years), I was…skeptical I’d be able to do that. Alas, my submission consists of 14 songs. Sorry Phil! Here are Peter’s Picks:

What I’ve been listening to lately:

Daphni – Cloudy (Kelbin Remix) 

I’ve been a fan of Daphni’s Dan Snaith – a Canadian mathematician-turned-music producer better known by his other stage name, Caribou – since high school. This remix (not to mention its AI art inspired video) has been a highlight of 2023 for me so far.

You Man – Birdcage  

The intro to this track makes me laugh. As someone with wide-ranging music tastes and an inability to read a room, it’s a familiar refrain. 

Brigade – Magnum $$$ 

Here’s how German duo Brigade describes their music: “if Han Solo and Chewbacca went through a dub techno / funky house phase, instead of joining the rebellion, this is what they would sound like.” Not sure how to interpret that but I like it

Tutankhamun – Coltrane

I’ve been listening British musician Olly Toomey’s debut album a lot since it was released last fall.

DOPE LEMON – Home Soon

I play a lot of music in my classroom. When this song last came on one of my students told me “it’s a vibe.” Apparently that’s a good thing.

Gerry Rafferty – Right Down the Line

My friend Dave has this song on his diaper changing playlist as an instructional reminder, to go along with several other aptly named classics like “Push it” and “So Fresh, So Clean.” I’ve been enjoying this faithful Sam Evian cover a lot lately too.

Andy Shauf – Wasted on You

Andy Shauf consistently makes quality music with fantastically rich storytelling. If you enjoy this track, I highly recommend checking out two of his earlier albums: The Party and The Neon Skyline.

From the Covid years:

Amen Dunes – Believe

When the pandemic broke out I was living and working in Panama. The government there quickly instituted a quarantine during which I was allowed to leave home for a two hour window, two days per week. Amen Dunes’ amazing 2018 album (ironically named Freedom) was one of the things that helped keep me sane during those months spent pacing around my little apartment. This song in particular perfectly distills so many of the emotions from that time period.

Ween – Tried and True

Ween was a go-to during the pandemic when I needed a laugh. Not only are their songs hilarious, they’re incredible musicians with the ability to play music from a huge variety of genres.

Amanaz – Sunday Morning

Africa, the lone album from 1970’s Zamrock band Amanaz, was on steady rotation for me during the Covid years. This one might be my favorite track.

ScubaZ – The Vanishing American Family

A friend and I did a road trip through California and Nevada in the fall of 2020, shortly after I moved back from Panama. This song came on as we passed through Yosemite Canyon, which was full of beautiful fall foliage at the time. It was the perfect complement to a gorgeous dreamscape. 

Max Cooper – Resynthesis

Max Cooper is one of my favorite artists of the last decade. Put on a nice pair of headphones and listen to this one with your eyes closed.

Weval – Gimme Some

Please Weval, gimme some more gems like this.

Kid Francescoli – Moon

This song makes me feel hopeful. I think we all needed some of that these past few years. 

zusi Views: Lakipak – An Experiment of Musical Particles

Lakipak: 音乐粒子的实验

When guitarist Nick Aliev asked a veteran Shanghai bassist if he wanted to jam to some of Aliev’s songs, he didn’t expect the answer to be yes. That’s how the backbone of Lakipak was founded in pre-pandemic China, with the group is slated to perform four nights at the Shanghai Lincoln Center jazz club starting in late April. 

吉他手Nick Aliev在疫情前问资深上海贝斯手Fred要不要谈谈他写的歌的时候,“Yes”是出乎他预料的回答。如今Lakipak 会在4/30开始在上海Lincoln Center演出。

Aliev describes Lakipak as a musical experiment: Put experienced musicians together with the outline or “skeleton” of one of his songs, and pretty soon the mostly classical, jazz and gospel-trained members are going to fill out a bass line here or a hook there on their own. Aliev defines the genre solely as jazz/R&B, but listeners of Lakipak – of which there are thousands on Spotify – probably don’t need to pay much attention to labels to enjoy the show, and neither should you. Six singles so far – with more coming soon – feature a whopping four lead singers, which speaks to the inventiveness of the ensemble and its diverse styles, although Veronica will be the crooner taking the stage come April 30th along with keyboardist Chad Higgenbottom, bassist Francis Akwasi and drummer Pascal Naigom.

Lakipak是一个音乐的实验:把经验丰富的音乐家与Aliev的歌结合,原本受古典和爵士乐教育的成员顿时开始演唱Jazz/R&B这么一个东西。别担心-六个single马上会变多,但是四个主唱应该不会了,短时间内以后都由Veronica主唱。

“The goal is to surround myself with better musicians than I am,” Aliev laughed, noting that “there must be something in the water in Mauritius,” where bassist Fred is from, given how many good musicians come from there. Aliev’s own music background is a winning combination of classical and metal, and he describes Lakipak as not for the “casual listener,” due to the group’s music having complexity mixed with a little pop simplicity. The trained ear will hear complex breakdowns with countervailing but at times soaring melodies, bringing a fusion genre to bear in a process that Aliev describes as “just do stuff…it’s more valuable to experiment” at this point in the group’s formation than be tied to any particular style or formula. 

“目的是要找一些比我厉害的乐手,” 包含毛里求斯来的Fred,又是一个那个国家来的音乐奇才。Aliev 自己是古典音乐和重金属的结合品,使得Lakipak在某种程度上不是随便听的音乐,颇有剧情和复杂度,时而反切时而高昂的旋律值得分析,也很值得听进它们的pop内容。这种制作过程被形容为“just do stuff”。

On Lakipak’s signature “Groovin’,” cozy visual cues from Silk Sonic’s pandemic-inspired in-studio music videos mix with decidedly jazzy chords in an R&B style. Anti-war “Without a Gun” reflects the Eastern European origins of some of Lakipak’s members, while the pandemic also saw some musicians stranded in exotic locales for a time or leaving China entirely, although without too much effect on the ultimate composition of the band. 

虽然有乐手在国外待了一阵子,甚至离开中国,疫情并没有重度影响Lakipak的进度,推出视觉上虽受Silk Sonic影响的”Groovin’”,音乐上确属于完全不同的阵地。

“Shanghai is still the capital of Eastern music, with the possible exception of Jakarta or Tokyo – definitely for the Chinese scene, which is starting to get into the spotlight with new performances and artists going abroad,” Aliev describes. Many of the new generation of musicians were trained by a previous generation, which goes to show how Shanghai’s music scene in particular is very welcoming, with people being largely non-judgmental and willing to greet and help out newcomers. 

“上海仍是东方音乐的首都之一,特别是对于中国本土音乐,新上演及出国巡演的艺人多的是,” Aliev说。很多当代的音乐人是被上一代教导的,大家都是互相鼓励的一群人,上海就是这种音乐人人情味特别重的一个地方,对于新手也是。

He has an additional message for readers, delivered with his classic deadpan and laugh: “Come to our show!” 

”来看我们的演出吧!“

zusi Additions: J-Plus – Japan Travelog plus Pop Tape, Part I

May marks the start of holidays for some, so let’s take a break from pure music with a travel log to go with more J-Pop tapes. The travel log is, of course, about Japan, a trip I took there in 2015.

As always, the full Tape History is available here: https://c.mail.com/@649543521753114149/A7iTxK5eS5ec797K4gH5rQ

The Phables isn’t a travel blog, but it has seen my fair share of overseas experiences, and continues to show exciting times in pre and post-pandemic China. Has the world changed so much since 2015, when I boarded a flight from Singapore to Osaka? Let’s take a stroll down nostalgia lane and get some ideas for another trip to Japan…

The trip really begins in meandering alleys of Osaka, where yakitori places are located.

This was about the smallest yakitori restaurant I could find, but the meal here set the tone for the rest of the trip – friendly locals, some of whom could speak Chinese or English, others who were just outgoing enough in true Osaka style so we could still communicate in limited fashion. The experience here was so welcoming that I put into my first sci-fi novel, and Osaka served as inspiration for the setting.

For obvious reasons, pictures do not show my trip to a hot springs bathhouse near Tsutenkaku, an austere metallic tower that Osakans like to joke is the Tokyo tower of Osaka. This bathhouse had multiple attractions, with different rooms featuring different types of baths and statues of different Western cultures. The first time I went there was nobody there owing to it being a “Silver Week” and people being out of town, and I enjoyed it so much I went again a few days later. Oops – this time since the holiday was over, it was full of people, and I could barely sit in a communal hot spring without getting a stoic glance from one of the locals.

Next day was Osaka Castle and Dotonburi, which is Osaka’s tourist district. Actually they have quite a few tourist spots, and the castle itself is also quite interesting, along with the Osaka Museum (the above photo is just of the castle wall, not the castle itself, which is below).

The Glico Man at Dotonburi

Tsutenkaku tower and a Biliken in the bottom-right foreground.

Tako Tako King, a famous takoyaki (octopus-filled flour ball) place and a play on the name B.B. King, due to the owner’s love of jazz and blues.

You might be wondering where I stayed during my trip to Japan. It was a combination of youth hostels and the cheapest AirBnbs I could find, not necessarily just because I was trying to save money, but because I went to Osaka right during a “Silver Week”, and both hostels and AirBnb locations were mostly booked out. I ended up in an Osaka apartment that was so small and dingy that some of the would-be tenants left a note for the AirBnb proprietor saying they had to leave because the conditions were so bad. I didn’t mind it that much. The bathtub was tiny, that’s all.

Finally some shots of Tsutenkaku, which you can also take an elevator up into. I have additional photos that show Osaka in its greatness, but this one below probably takes the mantle for my trip.

The next day I visited the famous Osaka aquarium and its whale shark, whose design is meant to represent volcanic activity.

Okonomiyaki, another famous Osaka dish that is basically a seafood and pork pancake drenched in brown and white sauce.

I also took long walks from my hostel or place of lodging to the Osaka Art Museum and a park outside there, which featured many crows.

Osaka partly kick-started my writing by providing the setting for my novel, Chronicles of the Tidepool. If you read the novel (someday), there will be an account of the golden columns next to a tall tower shining with alchemical fire…

Until next time, when I show my trip in Kobe and Kyoto in Part II.

Sounds of Japan Volume 13. – https://c.mail.com/@649543521753114149/Hq3RANTXTuCwyx34LcFx5w

Read for more details about the J-Pop tapes: https://philbertsphables.com/2023/03/22/sunny-side-up-1990s-2000s-japanese-pop-compilations-%e6%97%a5%e4%b9%8b%e9%9f%b5/

zusi Plays: Shanghai Opera – Tears of a Prostitute (Ji Nu Lei, 妓女泪)

(提供沪剧妓女泪录音以及英文介绍)

If you’ve been reading this blog regularly, you will know that we get weird and wonderful sometimes. In celebration of Spring finally arriving, we’re going to do 妓女泪 – “Tears of a Prostitute” – with Tape History recordings of early Songhu (Shanghai) Opera provided in the link below:

https://c.mail.com/@649543521753114149/GRH3aJ1-TPWmTLAYKXshTg

Traditional music enters the tape history in a number of ways, with Songhu Opera (沪剧) being only one form of Chinese opera for which tape records exist. Not to be confused with its more widespread cousin, Yue Opera (越剧), Hu – 沪 – is the Chinese character for Shanghai. This particular opera using the Shanghai dialect originated from a folk style of music in the Pudong area, where it became known as 滩簧. In 1927, this style gained definition in local traditional opera presented in stage plays (文明戏), and then officially became Huju in 1941 (thanks Sogou Encyclopedia). 

Chinese opera with printed lyrics is a fantastic way to learn dialect – Shanghainese in this case – and listeners will find that the music is quite good in most Chinese operatic styles, as their casts have traditionally represented a portion of China’s top musical talent. 

Ji Nu Lei is a 1940s-era tale about a mother who becomes a prostitute to support her son after her husband is brutalized by the Japanese; the husband later commits suicide. She is predictably taken advantage of because of her status, but her son is able to finish school (him being out-of-school is seen as another nightmare scenario) and gets married, though he is too ashamed to see his mother. A real tear-jerker through and through, and different from other Chinese opera in its modern dialogue and contemporary settings and costumes.

Only tapes two and three from a three-part series that makes up the full performance are available in the tape history, but it gives you a flavor of this style of opera. The full Tape History is provided via the link below:

https://c.mail.com/@649543521753114149/A7iTxK5eS5ec797K4gH5rQ

zusi Plays: Sunny Side Up – 1990s-2000s Japanese Pop Compilations (日之韵)

My friend and colleague Sunny had a listen to the late 1990s to early 2000s-era Japanese Pop compilation tapes in the Tape History. Here’s what he found:

前同事Sunny听了九零年代末两千年代初的日之韵磁带,发现有很多歌曲翻唱的版本在我们的藏品里: 

Recently a pile of J-Pop compilation tapes was discovered and sent to me for “analysis”. I finished listening to one of those, Volume 14, from August 1999. It was an interesting head scratcher about this release.

There were many popular tracks from the late 90’s to 2000’s in this compilation. Among them, one of the top selling singles ever, Tsunami by Southern All Stars, played as the first track. Other popular and mildly popular tracks made its way to the compilation, like:

Miki Imai – Goodbye yesterday

Do As Infinity – Yesterday and Today

Shiina Ringo – Gibbs

Luna Sea – Gravity

Gackt – Mirror

Mr. Children – Kuchibiru

Hysteric Blue – Haru

Glay – Beloved

B’z – Konya tsuki no mieru oka ni 

and so forth…

I listened to many of these tracks frequently in my youthful, university and highschool days. Nostagic hits, but then I noticed something was odd.

Interestingly, when I looked at the printed tracklist from the cassette insert, none of them matches the printed tracklist.

And then when listening carefully, other than two tracks – Southern All Stars and B’z, all tracks from this release was not with original vocals. It was not that the alternative vocals were bad, but just that the distinct vocal character that are accustomed to the tracks were definitely different. Some of those vocals tried to emulate the original but nowhere to be close – say, for Kuchibiru. And it feels like 1 or 2 tracks’ tempo were much faster as well, like the Luna Sea’s Gravity.

I wonder where these tracks were sourced from. Who were the alternative vocals? And since the original were widely available, why it was produced and sold like this? Was it vocal tracks just overdubbed over the instrumental tracks available on the single releases? Was it difficult for Japanese music finding their way into China in those years? But it has been known many other bootlegged versions were already available by then. 

The vocals on the tape were actually quite charismatic in their performances. It is just the logic in making the release is difficult to comprehend. It is not for the real fans, so maybe perhaps for those who has never listened to J-Pop but want to have a taste in the era with slow, or in rural China areas, and/or places with no internet connection.

Sounds of Japan” Tapes are available at the below address and additional tapes will be added on a rolling basis: https://c.mail.com/@649543521753114149/jMtIk6moSzaOcaIstWAZpQ

zusi Plays: Sky Wu (伍思凱), or lonely Auntie mood music

March kicks off with veteran Taiwanese pop magnate Sky Wu (伍思凱), whose decades-long career included plenty of support from fans on the Mainland. This particular compilation is a sax-drenched collection of measures that would fill many a smoky, boozy bar or nightclub, comprising almost exclusively of slow songs for depressed aunties to drink to – more on this later.

The songs remind of 1990s Taipei: Mopeds, traffic lights and ill-fitting clothing, if the music videos of the era are to be any guide. I’m personally not a huge fan of the verbose, flowing lyrics typical of the 1980s and early 1990s, but others may have a different opinion. The song selection on this particular album is contrived, with tunes sounding much the same as each other. Yes, on 你看到了沒有, guitar riffs, bass and keyboard fit inspiringly with vocals. But phrasing choices often turn originally mellow lines and music into higher-strung lamentations over otherwise impressive words.

You can find the tape here: https://c.mail.com/@649543521753114149/UoD0lwk6Sq2LK3liYeFHvA

The Full Tape History is here: https://c.mail.com/@649543521753114149/A7iTxK5eS5ec797K4gH5rQ

zusi Additions – Easy Listening and Chinese Pop

No frills – just three new updates to the zusi Tape History, headlined by Qi Yu (齐豫, early 1980s China), and some unidentified Canto and Mando-pop. Enjoy!

https://c.mail.com/@649543521753114149/wacbXOZwQCuWuGlLyJTIfw

Full Tape History:

https://c.mail.com/@649543521753114149/A7iTxK5eS5ec797K4gH5rQ

Picture Source: https://zhuanlan.zhihu.com/p/62293272