zusi Views: Waidiren’s Last Debut?

Waidiren’s front man Will Kemp has been here before – the bands, the music, the eccentric underground art events in subterranean digs – which is why Waidiren’s debut EP album is about the third or fourth thing on the agenda as we meet in one of Shanghai’s swanky, tasty yet decidedly nondescript luxury Thai restaurants for “curry shrimp” and Cab-Sauvs.

外地人的Will Kemp早已见识过了:乐队,音乐,地下室里的诡异艺术。所以我们边吃咖喱虾这个玩意儿边交谈的三四个话题里,外地人的第一张EP反而不是最关键的议题。

“It’s whatever this economic death machine we’re building ourselves, it’s the kind of dialogue that I would feel a pat on the back on playing this game on the toilet of my corporate office.”

“这是经济的自讨苦吃,这种对话会让我边上厕所边打手机游戏的时候有一种被认同的感觉。”

Yes, we’ve all felt the shadowpat-on-the-back before, the quiet conviction of quiet quitting, the “I might as well shit on company dime,” the nagging angst that despite what the corporation is wont to say, you are part of the problem, not the solution.

是的,我们都曾体验过这个感觉,努力躺平的阴影,安静的接受边上班边拉屎的节奏,还有就是觉得所有事情都无药可救了,虽然公司的意见是我们在解决问题,但是很明显的我们自己就是问题。

Will finds meaning in his work now, which somewhat complicates the whole angst of performance rock itself. He simultaneously helps run KAOS in the Underground, an arts, culture and local crafts showcase that puts on monthly performances and mini-festivals in a well-known underground bar in Shanghai. All from tattoo artists to animal rescuers and budding musical talent make an appearance, so Mr. Kemp finds balance, from corporate to underground administration to music-making and performances, although there haven’t been many of those going on recently.

Will 在工作里找到了意义;这稍微与表演艺术/摇滚乐里的无奈产生了一种矛盾。他是KAOS的主办人,一个邀请音乐人,纹身师和救救小动物的爱好者共同努力的活动。Kemp先生在繁忙的工作和兴趣和音乐里找到平衡。

The band’s EP is a whimsical mix of material from Will’s early music in the UK, where he is originally from, and other more recent fare such as “Wake up in Pudong,” another shadowpat everybody can enjoy. Other songs are about his father, who passed away earlier in Will’s life. The music sounds tight and the songs are catchy, so you’ll have to see them for yourself live to garner the full experience of the bilingual quips and gift of the gab that Will holds the audience’s attention with. Make no mistake, their performances are exciting. However a lack of venues due to obvious reasons and changes in band lineup due to other reasons has made it difficult, but not impossible for Waidiren to find their sweet spot.

说到EP,是个环绕着Will早期在老家UK写的音乐和像“我在浦东醒来,”较为近代的作品的风趣创作。其他歌曲写到Will早年去世的父亲。节奏感,韵律十足的歌值得各位在现场聆听,并且享受Will自己研发出来的一套双/三语相声,是从英国,重庆还有在上海学来的各种方言演变出来的。演出是精彩的,但是最近因为标准原因所以变得比较少。

Waidiren performs at C’s Saturday night, possibly to ring in the New Year, which better not be a repeat of 2022.

外地人明天晚上在C’s表演, 可能是半夜跨年时演奏的的乐队。2023年,请对我们好一点。

zusi Plays: Cathay Pacific’s Hongkong with Frances Yip and Platinum Songs – Chinese Lyrics, English Music

Cathay Pacific has fallen on hard times, so I had to pick this quaint time capsule up in Singapore’s Chinatown. Singer Frances Yip served as the airline’s brand ambassador during the 1970s, and this tape implores residents of Singapore to visit Hong Kong.

https://c.mail.com/@649543521753114149/XnYlJQSySTuJIH38_-H3Jg

國泰航空近年來受疫情影響很大,所以我在新加坡的中國城裡買到了這個穿梭時空的磁帶。唱上海灘出名的葉麗儀,是當年國泰的brand ambassador,在這個專輯裡用歌聲鼓勵新加坡居民到香港旅遊。

More interesting than the music is dating the tape by the Cathay Pacific livery, or logo, on the case. There’s no other information except this “Brunswick green” tailfin livery, which was first used by CP as early as 1971 on Lockheed and Boeing 707s, the airlines’ first jet planes. This would roughly match the timing of Yip’s release of two multilingual Discovery albums in 1974 and 1978, inspired by Yip’s travels along Cathay routes in Asia.

比音樂更有意思的是如何在時間上定位這個作品 – 從logo來講應該是1970年代左右,因為從1971開始,國泰噴射機上的尾翼就是使用這種磁帶上畫的“Brunswick green”。葉麗儀本身分別在1974和1978年發布兩個Discovery專輯,是受到她在亞洲乘坐國泰的航班路線啟發的作品。

This tape is short, only one-side (it’s basically a tourism promotion). Continuing that 1970s Canto vibe and moving into the 1980s, we have a “Chinese Lyrics, English Music” tape from 1989 that covers popular Bee Gees and Elvis songs in Cantonese.

https://c.mail.com/@649543521753114149/6RQ_IranS2e4cRLD4e-dyQ

磁帶裡內容不多,只有一面,全是promotion。所以為了讓我們的1970年代Canto Vibe繼續下去並且進入80年代,我順便也買了一個”中詞西曲“專輯,裏面用廣東話cover了Bee Gees還有貓王等等。

Rounding out the Hong Kong action is the 2000 Movie Soundtrack from In The Mood For Love ! 除了上面兩張以外,我還po了花樣年華的電影配樂專輯。之後會再提到它吧。。

https://c.mail.com/@649543521753114149/1DmisnJTTQG2kdZ-L5_Byw

And of course, the full zusi Tape History collection:

https://c.mail.com/@649543521753114149/A7iTxK5eS5ec797K4gH5rQ

And the story behind it:

https://www.sixthtone.com/news/1010960/trove-of-discarded-cassette-tapes-brings-back-a-lost-shanghai?source=channel_home

rgry’s Afternoon Tea / rgry 的下午茶

Randolph the Grey still moves slowly, but the vapes flitting between the table and his fingers give him a less solemn air. It’s an afternoon of pouring rain in September, owing to a hurricane passing north of Taipei. rgry wave-introduces his wife and points out his two infant sons before pulling me into his production cave for some peace and quiet.

灰衣Randolph动作还是挺慢的,但是从他手指里跟桌上之间舞动的vape让他显得不那么老气。今天下午,台北九月刮台风,下大雨。rgry挥手介绍他的太太,指向自己的两个小男婴,方才把我带进他安静的的production cave。

Reaper – rgry’s DAW of choice – is open on an expensive custom rig, along with a simple microphone and keyboard setup. But the award-winning producer tells me he only needs to make use of tools in Reaper to make chords and beats now, which he proceeds to do with startling speed.

Reaper在一个昂贵的MacBook上准备就绪,房间里还有简单的mic和keyboard。但是得过台湾金曲奖的rgry说他现在都只需要Reaper里的脚本就可以写chords跟beats了,而且特别迅速。

“One radio show said we [rgry and his collaborators] must really like music, if we were so deep into the industry. But I told him, I don’t like music, I was never into music, you know, like other people who were trained in it, grew up in it.”

“有广播电台主播问我跟我的collaborators一定很喜欢音乐吧,不然怎么会这么深入这个industry。但是我跟他讲,我不喜欢音乐,我没有那么into音乐,你知道吗,不像那些其他从小就跟音乐长大,受过音乐教育跟训练的人。”

https://www.bilibili.com/video/BV1GW411B7c3/?spm_id_from=333.337.search-card.all.click

The host was pretty taken aback by that. But it’s not about the enjoyment for rgry, it’s about the act – other people send him music or artists, he listens and mostly finds them to be garbage.

主播吃了一惊。但是对rgry来说,音乐不是享受的事,是一种表现出来的样子 – 别人把音乐或歌手发给他听,他会听一听然后断定说这些大部分是垃圾。

“But not like garbage, garbage, just that the rap scene is not all that good here. I have to stay involved in the pop stuff,” by adding lighter riffs here and there to survive and working with more pop-focused artists. rgry thinks Mainland rap is better, more competitive, and, like its audiences, more open to new ideas.

“我不是讲他真的是垃圾,就是这里的rap不是特别好。我必须不断在我的音乐里加pop的成分,” 才能存活下来,比方说跟pop类型的歌手合作。rgry说他觉得大陆的rap比较有竞争性,让后跟那里的观众一样,比较接受新的思想。

It sounds like an act, because Taiwan just doesn’t have as big a market or as many artists to generate a critical mass of content and experimentation. Plus, you can tell how dedicated rgry is to the rappers he mentors. But he says it’s more than that: “No one wants to experiment or go out of line to get creative. I was only lucky to have gotten along with the right people who were breaking out with material at the right time.”

听起来还是有点像表面功夫呢,因为台湾本来就没有跟大陆一样大的市场或者那么多艺人,比较不可能会创造出一个让内容和实验性泛滥的critical mass。rgry是很关心他旗下的rapper的。但是确实 “没有人想要实验或者是体现跨线的创意。我自己是因为刚好跟对的人对接了,那些人也刚好开始上来了,才幸运的有今天的成果。”

He now serves as creative director for NXWV (pronounced Nextwave), a rap combine of sorts that also sells designer clothing. It’s true that a lot of rap I’ve heard in Taiwan sounds the same, and much the same as its counterparts in the US, which is why I was fascinated by rgry’s FINX-182 and NXWV Ciphers. This time, there was no turning away from the experiment.

rgry现在是NXWV的creative director,一个既推广rapper又卖高级服饰的公司。我所听过的台湾rap都是满类似的,也很像美国的饶舌。所以我对rgry的 FINX-182 和 NXWV ciphers 很感兴趣。这次,就没有办法不实验了。

“We were sitting in the studio and started throwing hooks around, things that popped into our head. Pretty soon we had a clip of entirely hooks, and we made those into songs.” rgry played the original studio recording that started everything with hooks like “Street Fighter 2,” “Tom Hanks out the Plane” and “I ain’t even play chess” auto-tuned in time with an echoing backdrop.

https://www.bilibili.com/video/BV15r4y1h7do/?spm_id_from=333.788

“我们反正就坐在studio里丢hook,任何想到的就说唱。很快的我们有了一整首都是hook的录音,然后把那个编成了歌。” rgry 开始播放了当天启发了这一切的录音,hook都是什么“street fighter 2” “汤姆汉克斯出飞机” 之类的恶搞。

“The first time we went up to do it, we did the songs the whole way through. You could see a few people wildin’ out but most people were just like what…the fuck.”

“我们第一次上去就唱整首歌。观众里有些人反应不错,其他人都在想。。。这什么鬼。”

Experimental rap is not exactly the mainstay of Taiwan’s musical output, but hooks like “shipment on the deep” are catchy and very millennial-friendly (hint: it’s a Castaway reference). So how do you branch out from the mainstream? Like rgry, you have to assume everything is garbage. Only the freshest beat and illest vibe will suffice in a sea of imposters, posers and haters.

实验性的rap不是台湾最热门的音乐,但是凡事看过Castaway的80,90后都会appreciate这些hook。究竟要如何与现实的俗气脱节呢?学rgry,否认所有垃圾。只有最fresh的beat跟最ill的vibe才会让你在众多的复制品里脱茧而出。